| 000 | 01591nam a2200277u 4500 | ||
|---|---|---|---|
| 001 | 75282652 | ||
| 003 | OCoLC | ||
| 005 | 20190501204210.0 | ||
| 007 | ta | ||
| 008 | 110308r20062001nyu 000 1 eng | ||
| 020 | _a0312942109 (pbk.) | ||
| 020 | _a9780312942106 | ||
| 040 |
_aNOG _cNOG _dBAKER _dWZW |
||
| 049 | _aWZWW | ||
| 100 | 1 | _aKanon, Joseph. | |
| 245 | 1 | 4 |
_aThe good German _cJoseph Kanon. |
| 260 |
_aNew York : _bPicador, _c2002, c2001. |
||
| 300 |
_a533 p. : _bmap ; _c18 cm. |
||
| 500 | _aMovie tie-in. | ||
| 500 | _aOriginally published: New York: Henry Holt; London: Little, Brown, 2001. | ||
| 520 | _aThe bestselling author of Los Alamos and Alibi returns to 1945. Hitler has been defeated, and Berlin is divided into zones of occupation. Jake Geismar, an American correspondent who spent time in the city before the war, has returned to write about the Allied triumph while pursuing a more personal quest, his search for Lena, the married woman he left behind. When the body of an American soldier is found in the Russian zone during the Potsdam Conference, Jake stumbles on the lead to a murder mystery. The Good German is a story of espionage and love, an extraordinary recreation of a city devastated by war, and a thriller that asks the most profound ethical questions in its exploration of the nature of justice, and what we mean by good and evil in times of peace and of war. | ||
| 650 | 0 |
_aForeign correspondents _zGermany _zBerlin _vFiction. |
|
| 651 | 0 |
_aBerlin (Germany) _xSocial conditions _vFiction. |
|
| 655 | 7 |
_aSuspense fiction. _2gsafd |
|
| 961 | w | l | _t44 |
| 999 |
_c15259 _d15259 |
||